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My Bloody Valentine's gutsy approach to recording extended to their shows. I saw them play at the CMJ festival in New York; in the middle of one song they struck a note and stayed there, playing it over and over for 23 minutes. (Literally 23 minutes. My friend timed it.) It was a strange experience; I went through a range of reactions: impressed, annoyed, amused, angered, disbelief, tripped-out, thoughts of leaving (and a number of people did leave!). Finally, I was amazed when we were released from this strange frozen moment as MBV seamlessly continued from where they had left off.
I would have thought it foolhardy to cover a song off Loveless, much less the entire album. It's near perfect from beginning to end. Yet Japancakes
One might be tempted to dismiss the remake as a muzak version of a classic, but Japancakes has done a masterful job of replacing the textured layers of distorted guitars with piano, flute, cello and organ sounds. The songs are given space to breathe, evoking vast spaces with their sparse instrumentation and faint Western twang. The remake doesn't rival the original, which changed the course of music in the early 90s. But, then, Japancakes doesn't try to compete with it. The album is a refreshing interpretation of a classic.
Below are the original version of "Soon," the last track on Loveless, and Japancakes cover (static video). Note: For some reason there is a lot of dead time at the end of the Japancakes video.
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